| Lot | Picture | Description | Estimate |
| 971 |  |
TWO MAGAZINE COVERS. From August and November 1893. One shows Uncle Sam in disgust over the Democratic party and the other shows James Roosevelt as Ambassador to England. Drawn by Gilliam and Vincent. Size matted: 20" h., 16" w. Condition: age appropriate slight yellowing. | 120 - 160 |
| 972 |  |
TWO JUDGE MAGAZINE PAGES. 1882 and unknown age. The magazine was begun by defectors from Puck Magazine in 1881. This lot includes a Judge cover (Aug. 5, 1882, vol. 2, no. 41) showing weary men at a ticket office and the second page decsribes how "Mr. Boodles was Captured." Size matted: @ 16" h., 20" w. Condition: age appropriate yellowing. | 120 - 160 |
| 977 |  |
TWO PUCK TAMMANY TIGER ILLUSTRATIONS. Late 19th c. Drawn by Opper and Dalrymple. "The Campaign of Noise" and "He Blew Too Hard." Size: 16" h., 20" w. matted. Condition: both are liquid stained on the right side. | 150 - 200 |
| 978 |  |
TWO CJ TAYLOR PUCK PAGES. Late 19th c. One is an illustration entitled "Vindicated" and the other is entitled "In the Shadow of Justice" and it shows an Alien Anarchist and a Native Lyncher--a critique of xenophobia. Size matted: 20" h., 16" w. Condition: some liquid stains on the anti-xenophobic piece. | 120 - 160 |
| 979 |  |
TWO PUCK COVERS. From January 1901 and October 1893. The older cover shows "The Fake Operator" which is a spoof on rabid Republican's fervor against Democrats, suggested as being false and fed to him (Keppler drawn). The newer cover shows Grover Cleveland nursing a sick Democratic donkey (Dalrymple drawn). Size matted: 20" h., 16" w. Condition: some liquid stains. | 150 - 200 |
| 980 |  |
TWO PUCK COVERS. From October, 1891 and January 1901. The older cover is "Up Goes McKinley" seesawing on the Ohio Capitol building. The newer cover shows "The Endless Search" for youth-- an old man reaching for a bogus elixir while Ponce De Leon's ghost snickers. Size matted: 20" h., 16" w. Condition: some rippling to the McKinley image. | 150 - 200 |
| 982 |  |
VLAMINCK LITHOGRAPHS. 1928 Lithograph on off white paper. Unsigned. Prov.: Wm. Tomlinson collection. Maurice Vlaminck, the Fauvist painter, represents a house & people approaching it. Done in crayon & tusche it is a graphically bold composition. Size: 10 1/2"h., x 9 3/8"w., matted 17 1/2"h., x 13 1/2"w. Condition: No defects. The second Vlaminck lithograph shows a village and dark clouds. Size: 9" h., 12" w. Condition: no defects. | 1,100 - 1,300 |
| 983 |  |
SIZ GERMAN PRINTS. All from the William Tomlinson Collection. Includes: one Philipp Franck (1860-1944) etching "Boys at Waterside" (dated 1917, Franck began with the Berlin Secession in 1898, he was Max Beckmann's and Lovis Corinth's friend. Size: 6 1/2" h., 9 1/8" w.) ; one Adolphe Appian etching (1818-1888) of the Marais de la Burbanche - a swampy area with herons (dated 1868, Delatre impression for Cadart. Size: 5 1/2" h., 9 1/2" w.) ; one Hans Mied lithograph "Man Leading a Horse Across a Stream" (c. 1930, crayon litho in black ink. Size: 15 1/2" h., 12" w.) ; one Max Unold "Die Strasse" litho (early 20th c., crayon litho in black ink, this shows a family done by this listed artist 1865-1964. Size: 10 3/4" h., 7" w.); two Walter Zeising etchings "Fisherhafen in Bretagne" and "Jahrmarkt in Dresden" (Zeising 1876-1933 created these in 1909 and 1910 respectively. Size: 7 1/4" h., 9 1/4" w., and 6 5/8" h., 9" w.). All are matted. Condition: one Zeising "Jahrmarkt.." has a 3/4" tear in the lower edge; Appian has very minor foxing in the upper part; otherwise the others are in good condition. | 800 - 1,000 |
| 984 |  |
FIVE FRENCH 19TH C. PRINTS. All from the William Tomlinson Collection. Include: two Maxime Lalanne etchings "Winter in Bordeaux" and "Rouen" (Lalanne published a well known etching manual in 1880, these date to 1868 and 1884 respectively. Sizes: 6"h., 9 1/2"w. and 6" h., 9"w. ); one Jules de Goncourt "Femme en Chapeau" (1855, etching on laid paper, after Gavarni, publ. in L'Art. Goncourt (1830-70) produced this finely bitten female portrait.Size: 8" h., 5 1/2" w.); one Ernest Laborde "Place Dauphine" etching (19/75, etching in brown ink, Signed in pencil lower margin, shows a river and a stone bridge among buildings. Size: 7" h., 10 3/4" w.) ; one Charles Heyman "Chemin de Fer, Ivry" (Railroad Station) etching (dated 1912, Heyman (1881-1916) had this printed by Delatre; signed in the plate only. Size: 4 1/4" h., 9 1/2" w.) All prints are matted. Condition: all have no visible defects and are in good condition. | 800 - 900 |
| 985 |  |
RICHTER AND FELIXMULLER PRINTS. Richter-Berlin: C. 1915 Woodcut from "Die Aktion". This shows a couple embracing - marked original Holzschnitt. Richter-Berlin (German, 1884 - 1981) is a listed artist; this print comes from the Wm. Tomlinson collection. Size: 9 1/4"h., x 6 7/8"w., matted 17 3/4"h., x 13 3/4"w. Condition: Acid yellowed paper - newsprint like-paper. Conrad Felixmuller: 1923. From Die Aktion. This shows a couple meeting in the city. Signed in the block. Size: 3 5/8" square, sheet size 12" h., 8 5/8" w. Condition: yellowed fragile paper. | 400 - 600 |
| 986 |  |
LIEBERMANN AMSTERDAMER JUDENSTRASSE. 1908. Etching on laid paper written on the verso is "Max Liebermann, orig. etch; Amsterdam Judenstrasse". Libermann (German, 1847 - 1935) is a well-listed artist and he produced many prints. This is a particularly intriguing print, reproduced in 1919 in "Die Kunst des Radirens", shows the Jewish quarter of Amsterdam. Prov.: Wm. Tomlinson collection. Size: 5 7/8" h., x 7 13/16" w., matted 13 3/4"h., x 17 3/4"w. Condition: Yellowing at the edges, deckled lower edge. | 800 - 1,000 |
| 987 |  |
LIEBERMAN MID-DAY MEAL. 1888, 1901 Gazette de Beaux Arts version Etching in brown ink. This small etching by the German master Max Liebermann features deeply bitten lines and aquatint. It is a fine impression. Prov.: Wm. Tomlinson collection. Size: 4 3/4"h., x 5 3/4"w., matted 13 3/4"h., x 17 3/4"w. Condition: Age appropriate yellowing. | 400 - 600 |
| 988 |  |
FELIX VALLOTON WOODCUT. 1898 Woodcut in black ink on cream toned background. Marked with a red stamp "Studio". This is a portrait of the French painter Pierre Puvis de Chavannes. Valloton (French, 1865 - 1925) is a listed artist. Prov.: Wm. Tomlinson collection. Size: 7"h., x 5"w., matted 17 3/4"h., x 13 3/4"w. Condition: No defects. | 400 - 700 |
| 989 |  |
FELIX BRACQUEMOND FEMALE PORTRAIT. Late 19th c. Etching. Printed in the margin are Bracquemond sculp & Ingres del. (Fraquemond etched this female portrait after a drawing by J.A.D. Ingres). This particularly fine print comes from the Wm. Tomlinson collection. Felix Bracquemond (French, 1833 - 1914) is a listed etcher. Size: 9 1/2"h., x 6 1/2"w., matted 17 3/4"h., x 13 3/4"w. Condition: No visible defects. Light acid burn at extreme edges. | 200 - 400 |
| 1074 |  |
ALFRED STRUTT PHOTO GRAVURE. Dated 1905. Color image taken from Alfred Strutt's oil painting which shows little children in a donkey cart. Size framed: 27 1/2" h., 40" w. Condition: acid burn or similar yellow wear at the edges where the mat contacts the print; frame as is. | 100 - 200 |
| 1075 |  |
COW PRINT IN ANTIQUE FRAME. 19th c.? Color reproduction after an oil painting. This shows cows heading up a path. The frame is a large gilded gesso and wood construction; as is. Size framed: 22 1/2" h., 33 1/2" w. Condition: wear and warpage to the print; chips to the gesso. | 60 - 80 |
| 1076 |  |
SIX VANITY FAIR REPRODUCTIONS. 20th c. Offset lithographs after the larger sized color lithographs of the late 1800s. These were probably mid 20th c. promotional items. The set includes Charles Darwin, Louis Pasteur, and four Spy drawn characters: Oliver Wendell Holmes, Sir James Paget, Sir Richard Owen, and Thomas Henry Huxley.Each is set in a faux bamboo frame. Size framed: each 11" h., 9" w. Condition: each is age appropriately yellow. | 60 - 80 |
| 1077 |  |
CURRIER & IVES PRINT, HARNETT REPRO. PRINT. The Currier & Ives print is Little Brother and Sister (handcolored lithograph) and the Harnett is a poster reproduction after a trompe l'oiel still life of a violin and sheet music. Size each: 19" x 14" and 27 1/2" x 20". Condition: the Currier & Ives print is very worn. | 60 - 75 |
| 1079 |  |
BOTANICAL AND FOX HUNT PRINTS. Both are reproductive in technique. Size: fox hunt print framed 22" h., 31" w., 17" h., 21" w. Condition: no visible defects. | 50 - 60 |
| 1080 |  |
PAIR OF MARK COOMER SILKSCREENS. 20th c. Silkscreens on board. Signed in the print only. Coomer (Illinois, 1914-) is a listed artist and illstrator. His artwork is comprised of scenic and genre subjects. These prints are of Subiaco, Lazio, Italy (steps) and Monte Rotondo (Mexican village plaza with a lion fountain). Size each framed: 19 1/4" h., 16 1/2" w. Condition: no visible defects. | 100 - 120 |
| 1131 |  |
PAIR OF ANCIENT EGYPTIAN COSTUME PRINTS. 19th c. Crayon lithograph, handpainted with watercolors. By G. Engelmann. These show Ancient Egyptian civil costume and military costume. Size: 13" h., 9" w., matted slightly larger. Condition: slight yellowing and some foxing (faint). | 75 - 100 |
| 1132 |  |
C.J. TAYLOR AND LOUIS DALRYMPLE PUCK ILLUSTRATIONS. Last 1/4 of the 19th c/before 1918. Color lithographs. Both Taylor and Dalrymple were known artists for the American satirical magazine; Taylor's illustration shows "Our Political Pandora" and the Dalrymple spoofs tariff reform in the Western states. Size: 13" h., 20" w (Dalrymple) and 20" h., 13" w., (Pres. Harrison, the Political Pandora). Condition: each is creased from being a foldout in the magazine (some holes in that crease in the Pandora); slight yellowing. | 150 - 250 |
| 1133 |  |
TWO ANTIQUE BIRD CHROMOLITHOS. 19th c. One shows sandpipers and a duck. The other print shows the green heron. Size: 11 1/2" h., 9"w. (heron) and 10" h., 13 1/4" w. (sandpipers and duck). Both are matted slightly larger. Condition: no visible defects to teh sandpiper/duck print; the green heron print is frayed on its right edge. | 120 - 180 |
| 1134 |  |
TWO ANIMAL HANDCOLORED ENGRAVINGS. c. 1850s-1880. Hand colored metal engravings. One shows two dogs (bassett hound and a greyhound) and the other shows four ground doves, engraved by Lizars after E. Lears drawings (each is marked with a plate number--these are 22-25). Size: doves 6 1/4" h, 3 3/8" w. each; dogs 10 3/8" h., 6 3/8" w. Condition: no visible defects aside from minor paper yellowing. | 100 - 150 |
| 1135 |  |
TWO 19TH C. BIRD CHROMOLITHOS. One is a bookplate from a woodengraving of 1864, showing The Eagle and Its Prey (by J. Wolf) and the other is plate 38 from a series of prints--this shows various perching birds. Size: eagle 9 1/2" h., 6 1/2" w. perching birds 12 1/4" h., 8 3/4" w. Each is matted. Condition: no visible defects, aside from a little foxing on the Eagle and Its Prey. | 100 - 150 |
| 1136 |  |
TWO ANTIQUE CHROMOLITHOS OF BIRDS. 19th c. One print shows marsh birds such a white heron, while the second print shows bluejays and peregrine falcons. Size: 13 1/2" h., 9 3/4" w. (marsh birds & falcons). Condition: no visible defects. | 120 - 160 |
| 1137 |  |
THOMAS NAST CHINESE QUESTION, ETC. Late 19th c. Wood engraving (Nast) from a newspaper and the second item in this lot is a late 19th c. Puck colored lithograph. The Puck is drawn by J. Keppler, the originator and publisher of the magazine; it spoofs tariff reform in the Northeastern states (Grover Cleveland ? appears as a character). The Nast illustration addresses the Chinese labor problem and racism in the USA. Size: Nast 14" h., 10" w., Puck 12 1/2" h., 19 1/4" w. Condition: a missing piece on the bottom edge of the Puck print obliterates the last word; age appropriate yellowing of each print. | 120 - 160 |
| 1138 |  |
TWO ANTIQUE HOOVED ANIMAL PRINTS. Hand colored engravings. One shows goats and the other shows deer. Size: 10 1/2" h., 6 1/2" w., matted slightly larger than that. Condition: very minor foxing, but otherwise no visible defects. | 80 - 100 |
| 1139 |  |
CAVALRY PRINT AND SOUTH AMERICAN NATIVE PRINT. One is an old chromolitho and the South American man is a hand colored engraving. Size: 9 1/2" h., 6 1/2" w., and 9" h., 6" w. (Native). Matted slightly larger than that. Condition: a few foxed marks on the South American Native print; otherwise no major defects. | 50 - 75 |
| 1140 |  |
TWO BRITISH SOLDIER PRINTS. Chromolithos. One is dated 89 (1889). "The Royal Artillery" and "The 57th-Duke of Cambridge's Own (Middlesex)." Size: 9 3/4" h., 6 1/2" w. each., Matted slightly larger. Condition: no visible defects. | 50 - 75 |
| 1175 |  |
WOMAN WITH A CHICKEN PRINT. Modern. Silkscreen in colors. Signed in pencil in Farsi (the artist is Iranian). Numbered 88/250. Matted with an unusual woven grass mattboard. Size: 20" h., 14 1/2" w., framed 33" h., 26" w. Condition: no defects; frame as is. | 125 - 185 |
| 1176 |  |
JESUS CHRIST PRINT. Chromolithograph. Shows Jesus with a flaming heart. Size framed: 44 1/2" h., 34 1/2" w. Condition: some scratches and scuffs to the print's surface; must be shipped by a 3rd party due to its size. | 75 - 100 |
| 1179 |  |
AFTER SIR THOMAS LAWRENCE LITHO. Black and white lithograph from a mezzotint; hand colored. This shows Miss Croker. Size: 9 1/2" h., 7 1/2" w., framed 17 3/4" h., 14 3/4" w. Condition: the paper is browned. | 40 - 60 |
| 1180 |  |
PAUL GEISSLER CASTLE ETCHING. Dated 1921. Etching in black ink. Signed in plate and in pencil. Inscribed with a German blurb pertaining to the castle's location (?). Geissler (German, 1881-1965) is a minor listed artist. Marked in pencil on the verso "opus 154, Professor Paul Geissler." Size: 10 1/4" h., 8 1/8" w., framed 16 5/8" h., 12 3/4" w. Condition: no defects; frame as is. | 75 - 125 |
| 1237A |  |
ICART LE VOIX DU CANNON. 1917. Etching with color. Signed in pencil lower right. Marked as an artist's proof. Louis Icart created this image of an angry French woman being shot from a cannon during the First World War. It was one of Icart's patriotic etchings during the war years, and Le Voix du Cannon was one of his rarest-- only 100 prints of this plate were made, and this lot is an artist's proof. Size: 16" h., 23" w., framed 30" h., 35 1/2" w. Condition: no defects. | 2,000 - 3,000 |
| 1238A |  |
ICART CASANOVA ETCHING. 1928. Color etching. Signed in pencil. Shows Casanova romancing a masked woman while he draws aside a boudoir curtain. This print appears in "Icart" by S. Michael Schnessel, fig. 99. Size: 21 1/4" h., 14" w., framed 30" h., 21" w. Condition: no visible defects. | 1,500 - 2,000 |
| 1276 |  |
SADAO WATANABE CREATION OF ADAM. Dated 1976. Woodblock print in colors. Signed in pencil. Shows the Biblical scene done by this listed Japanese artist (1913-1996) of Christian imagery. Size: 6 1/4" h., 6 1/8" w., matted 20" h., 16" w. Condition: no defects. | 150 - 200 |
| 1277 |  |
SADAO WATANABE LAST SUPPER PRINT. Dated 1973. Woodblock print in colors. Signed in pencil. Shows the famous scene in a tilted perspective. Size: 9 3/4" h., 7" w., matted 18 1/2" h., 14" w. Condition: no visible defects. | 150 - 200 |
| 1278 |  |
WATANABE RESURRECTION OF JESUS. Dated 1979. Woodblock print in colors. Watanabe is a listed Japanese religious printmaker (1913-1996) and this shows Jesus flanked by the two Marys from the Resurrection story. Size: 8 3/8" h., 6 1/2" w., matted 18" h., 14 1/2" w. Condition: no visible defects. | 150 - 200 |
| 1279 |  |
SADAO WATANABE MARY AND ELIZABETH PRINT. Dated 1978. Signed in pencil. Woodblock print in colors. Watanabe (Japanese, 1913-1996) is a listed woodblock printmaker known for his religious imagery. This image shows the "Visitation of the Blessed Virgin to Her Cousin St. Elizabeth." Size: 8" h., 6 5/8" w., matted 20" h., 16" w. Condition: no defects. | 150 - 200 |
| 1280 |  |
GUSTAVO MARIA GREUX ETCHING. c. 1865. Etching. Shows the Place du Marche a Haarlem, after the original by Gerrit Berkhyde. Greux (born 1838-1919) is a minor listed artist, a painter and a printmaker who created works after other more famous artists. Size: 8 3/8" h., 10 7/8" w., matted 16" h., 20" w. Condition: no borders, trimmed to the plate mark. | 125 - 150 |
| 1311 |  |
3 OIL CITY AND OIL CO. MAPS. All are dated 1865. Lithographs with faint blue coloring. Each shows areas around Oil Creek, such as sectional plan #5 (Great Western Consolidated Oil Co., and the GH Bissell Leases on Oil Creek; the second map shows Section 4 (Central Petroleum Co.); the third map shows the Plan of Walnut and Henry's Bends, Allegheny River. Size: each framed 16 1/4" h., 18 1/4" w. Condition: age appropriate yellowing; foxing mark on the third map. | 100 - 150 |
| 1314 |  |
PAIR OF TINTED PHOTOS OF PALMS. "Lone Palm" amd "Royal Palms." Both are signed SCH, Bermuda. Size: about 4 1/4" h., 2 1/2" w. each, framed 8 1/4" h., 5 1/2" w. Condition: no visible defects; frames are as is. | 40 - 50 |
| 1319 |  |
MARY HAMILTON SNAKE POEM PRINT. 20th c. Silkscreen. Signed. This colorful silkscreen illustrates a poem with country folk chasing snakes. Hamilton is a prolific Pittsburgh artist. Size: 14 1/2" h., 12" w., framed 21" h., 17" w. Condition: no defects. | 150 - 175 |
| 1320 |  |
PAIR OF TINTED COLORADO PHOTOS. One is "Bear Creek, Denver National Park." The other is "The Narrows." Each is pencil signed Standley. Size: 9 1/2" h., 7 1/4" w., and 9 5/8" h., 4 7/8" w. Framed to 15 3/4" x 12 1/2" and 15 3/4" x 9 1/2." Condition: no visible defects. | 80 - 100 |
| 1361 |  |
EDWARD SLOCOMBE ETCHING. Dated 1889 in the image. Etching on paper. Slocombe (British, 1850-1915) is a listed painter and printmaker. This image shows a market: a wheelwright's shop; florist, and what appears to be an auction going on. Size: 9 1/2" h., 6 1/2" w. Condition: acid burnt from the wood backing board. | 75 - 125 |
| 1401 |  |
F. PETITJEAN MEZZOTINT. Dated 1925. Signed in pencil lower right margin. Etching in colors, a la poupee. Stamped with HG Artists Proof in Colour embossing. Shows a woman dressed in a voluminous brown fur with white trim and a fancy hat. Size: 11 3/4" h., 9" w., framed 17 3/4" h., 13 3/4" w. Condition: a little acid burnt at the edges that contact the mat. | 120 - 150 |
| 1402 |  |
WHISTLER ETCHING. 19th c? Dated 1859. Signed in plate only. On European laid paper. This image comes from J.A.M. Whistler's early London etchings, showing shanty buildings and a man in the foreground. Size: 6 1/2" h., 10" w., framed 14" h., 17" w. Condition: acid burnt, tears and losses to the edges; glued down to cardboard with glue residue on the recto margins. | 100 - 150 |
| 1405 |  |
THREE PRINTS. Includes a heliogravure of Louis XI (from a history of Swiss people) and also includes a pair of German soldier prints (offset lithos). The soldiers are various infantry and grenadiers of Kaiser Frederick and Kaiser Franz's regiments. Size framed: each is about 22" h., 17" w. Condition: some yellowing and slight foxing. | 50 - 75 |
| 1406 |  |
ROUEN CATHEDRAL IMAGE. 20th c. Offset copy after an original engraving. With color. Size: 18" h., 12" w, framed 27" h., 20" w. Condition: no defects. | 40 - 60 |
| 1409 |  |
SAN FRANCISCO EARTHQUAKE POSTER. Dated 1906, published by Francis Ficke, San Fran., CA. Color lithograph. Showing in dramatic detail the great fire following the 1906 earthquake. Set in a new, wooden frame. Size: 12" h., 35" w., framed 18" h., 42 1/4" w. Condition: several tears and creases. | 150 - 200 |
| 1410 |  |
LOUIS ICART NO STOPPING PRINT. 20th c. Etching with color. Signed in pencil in the margin. Marked on the back label "from La Nuit et Le Moment." Shows a nake, randy wigged man about to mount a woman who cowers below her bedcovers. Size: 7 1/16" h., 5" w., framed 18" h., 15" w. Condition: no visible defects. | 200 - 300 |
| 1451 |  |
THE READING ROOM LITHOGRAPH. 19th c. With hand coloring. After a JP Hasenclever painting, lithographed by Jacott. This shows a cartoonish scene of men lost in what each is reading. Size: 17 5/8" h., 21" w., framed 20 3/4" h., 24" w. Condition: it needs paper conservation (foxing, dirt, two tears on the left edge); frame as is. | 75 - 100 |
| 1454 |  |
HENRI FOURDAY CANAL TOWN ETCHING. Probably 1st 1/4 20th c. Color etching. Signed in pencil lower left "Henri Fourday (sp?)." This large etching shows a canal, in which there is a small island, a tiny building on it, and in the background, there are various other houses. Size: 19" h., 23 1/4" w., framed 32 1/2" h., 29" w. Condition: the paper is yellowed; frame as is. | 300 - 400 |
| 1457 |  |
MAP OF SOUTHWESTERN PA. Late 19th c. Shows the following counties: Allegheny, Butler,Indiana, Armstrong, Cambria, Somerset, Wasgington, Fayette, Green, and Beaver. Done for the Old Fort's Commission Report. Size: 20 3/4" h., 25 1/2" w. Condition: some foxing. | 100 - 150 |
| 1512 |  |
PAIR OF LUCIUS ROSSI PRINTS. Late 19th / early 20th c. Collotypes (?) on paper. One is signed in the image Lucius Rossi, and the other is in exactly the same style. They show 18th c. people enjoying leisure time at a quay and at a beach. Size each: 12" h., 16" w., framed 23 1/2" h., 28 1/2" w. Condition: no visible detractions. | 600 - 800 |
| 1514 |  |
TWO 19TH C. ENGRAVINGS. One is a Godey's Ladies Book mezzotint (marked in pen 1847) and the other engraving is a hand colored wood engraving of Pittsburgh (marked in pencil 1876). Size framed: 9 3/4" h., 7 1/2" w. and 8" h., 10 1/4" w. Condition: age appropriate yellowing to each. | 40 - 60 |
| 1517 |  |
ROMANTIC ARCHITECTURAL PRINT. Lithograph with color. Shows a Elizabethan man in a boat approaching a country manor. Size: 12 3/4" h., 10 3/4" w. framed. Condition: as is. | 10 - 20 |
| 1518 |  |
EGYPT PRINT AND BIRD INK DRAWING. The Egypt print is a bookplate wood engraving by Franklin Booth and the bird drawing is a PA Dutch like design. Size: both are about 10" x 12". Condition: no major defects; frames are as is. | 25 - 40 |
| 1519 |  |
BRITISH PORT ETCHING. 20th c. Handcolored etching. Signed illegibly in pencil. The artist is a member of a Royal Society of artists (RS FRSA). This shows a shanty town and its port with men working. Size: 11 3/4" h., 17 1/2" w., framed 19 1/4" h., 25" w. Condition: the paper is buckled but otherwise no defects. | 80 - 100 |
| 1520 |  |
BRITISH HARBOR ETCHING. Modern. Handcolored etching. Same artist as lot 1519. Shows three boats in harbor at low tide. Size: 11 3/4" h., 17 1/2" w., framed 19 1/4" h., 25" w. Condition: a little buckled, otherwise no defects. | 80 - 120 |
| 1530 |  |
4 ART DECO FRAMED PRINTS. Four Art Deco framed prints in shaped frames, stenciled style decoration of figures playing music and singing against black background, scroll decorated corners in pinks and browns. No mark. Size: 12"H, 14" or 12"top or bottom. (trapazoid shaped sections). Condition: wear to frames. | 75 - 150 |
| 1591 |  |
PAIR BASKIN ARTISTS PRINTS. Late 1960's. Heliogravure or litho from a metal plate. These two prints areportraits of the artists Watteau and Begas. Signed in pencil lower right, numbered 41/70 (Watteau) and 36/100 (Begas). Baskin (American, 1922-2000) was an eminent printmaker, painter and sculptor whose subject matter included mythological creatures, figures and homages to past artists. His style is distorted and draws attention to physiognomy above all else. Baskin's work is in the floowing collections: The Metropolitan Museum of Art, MoMa, The Vatican. Size: plate size 18" h., 17 1/2" w., framed 32" h., 25" w. Condition: no major detractions. | 600 - 800 |
| 1595 |  |
DALI LA NU MONTRE. Mid 20th c. Color lithograph. 168/200. Signed in plate & in pencil. Shows an amoeba like nude in a red box, with clock hands on her body. Size image: 20" h., 16" w., framed 32" h., 24" w. Condition: no defects. | 600 - 800 |
| 1596 |  |
FRIEDLANDER LA LUNE CHOP. 20th c. Color intaglio, bleed print. 28/99. Signed in silver pencil. Friedlander (French, 1912-1992) is a listed artist whose abstract prints are richly textured and colored, albeit in earthy hues. Size: 30" h., 22" w., framed 36" h., 28" w. Condition: no defects. | 600 - 800 |
| 1597 |  |
PAUL WUNDERLICH MAN LITHO. Late 20thc. Black lithograph. Signed in pencil, numbered 63/400. A man in frontal view, presented for our inspection is created by this surrealistic printmaker (Swiss, born 1927). His imagery is often distorted and nightmarish. Size: 25 1/2" h., 20" w., framed 33" h., 26" w. Condition: no defects, frame is as is. | 500 - 800 |
| 1598 |  |
VASARELY VEGA SILKSCREEN. Silkscreen. 8/125. Signed in pencil. Comes with a certificate of authenticity. Vasarely (1906-1997) is a listed artist born in Hungary, who has become best known for his brightly colored op-art designs, after the 1960s. This, entitled, Vega, is a swollen orb of orange and gray dots. The scientific precision of this art is parallel to Vasarely's own scientific interests in aesthetics and a ready source of colors and patterns that affect the senses. Size: 18" h., 18" w., framed 32" h.,. 28" w. Condition: no defects. | 400 - 600 |
| 1599 |  |
PAUL WUNDERLICH YOUR EYES... 1969. Color lithograph. Signed in pencil. No 16/30. "Your Eyes are like Dove's Eyes." Rives paper. This surreal Wunderlich print shows a female torso surmounted by a eye and braided hair that appears alive. Size: 24" h., 18" w. Condition: no defects; frame is as is. | 500 - 800 |
| 1667 |  |
CAROL ZAK COLORED LITHOGRAPH. 20th c. Entitled "Ceremonial Jacket" this print is 5/10, and shows three Asian babies on a green and red jacket. Pencil signed. Size: 24" h., 18" w., framed 30" h., 24" w. Condition: no visible defects; frame is as is. | 100 - 200 |
| 1761 |  |
SEYMOUR HADEN ETCHING. Dated 1881. Etching in brown ink on white paper (with plate tone). Signed in plate and pencil. Haden was the preeminent British etcher of the 19th c., teaching the American James Whistler much about the medium (Haden was also related to him through marriage). Characteristic of Haden's style is a strongly bitten line with dense areas of ink buildup. This image is cows in a stream among trees. No edition number is given. Size: 10 3/4" h., 16" w., framed 19 1/2" h., 24" w. Comndition: no visible defects. | 600 - 900 |
| 1764 |  |
HERMANN STRUCK SABBATH ETCHING. Early 20th c. Etching in brown ink. Signed lower left and numbered 85/100. Struck (German 1876-1944) is a listed artist and illustrator whose pupils included Lovis Corinth and Kathe Kollwitz. This image shows a Jewish man blessing the sabbath; his candles are lit, the wine cup is in his hands and he appears to be reciting the kiddush over challah bread. Size plate mark: 15" h., 9 1/2" w., framed 25" h., 18" w. Condition: foxing throughout; acid mat; frame and mat are as is. | 600 - 800 |
| 1765 |  |
SOTIRIS-CORZO CANAL SILKSCREEN. 20th c. Color silkscreen on paper. Numbered 206/375. Signed in pencil. Shows a bright blue canal and European cityscape. This work is by a husband and wife team who now reside in California (Sotiris b. Athens, Greece 1936) (Corzo b. Argentina 1949). Size: 24" h., 33 1/2" w., framed 41 1/2" h., 47" w. Condition: no defects. | 200 - 300 |
| 1770 |  |
WYETH POSTER "MASTER BEDROOM." Offset lithograph. Taken from one of Andrew Wyeth's tempera paintings that shows a dog sleeping on a bed. Size framed: 26" h., 32" w. Condition: frame has some knicks to its finish; as is. | 100 - 200 |
| 1828 |  |
TWO BLACK PRINTS. (1) 1913 parody of September Morn, famous academic painting. "Go' long white man, I ain't no "September Morn". c.1913 by J. Raymond Howe Co. Chicago. matted in red man and framed. 15 1/4"H, 12 1/4"W. Condition: acid mat. (1) New reproductive print of cover of Pictorial Review Sept. 1924. Framed. Size: 15"H, 12"W. Condition: new in frame. | 50 - 100 |
| 1844 |  |
BESSIE PEASE GUTMANN PRINT. Bessie Pease Gutmann print "The Message of the Roses" Art Deco print in octagonal shaped framed, gilt and green painted wood. Marked: 641 c.Gutmann & Gutmann New York. Size: 21"H, 16"W. Condition: good. | 125 - 250 |
| 1845 |  |
BESSIE PEASE GUTMANN PRINT. Bessie Pease Gutmann print "On Dream Land's Border" round embossed print on rectangular paper in gilt wood frame. Size: 16"H, 19 1/2"W. Condition: good. | 125 - 250 |
| 1846 |  |
BESSIE PEASE GUTMANN PRINT. Bessie Pease Gutmann "In Disgrace" print of child with dog in gilt wood frame. Originial poem "In Disgrace" by M. Leona Harig on back. Size: 20"H. 15 1/2"W. Condition: good. | 125 - 250 |
| 1861 |  |
THE QUADRILLE PHOTOGRAVURE. Late 19th c. Photogravure in brown ink from an A. Oca Bianca Dall painting; published by Goupil. Shows peasant types engaging in a dance that has the men facing the women. Size framed: 13" h., 17" w. Condition: no visible defects. | 75 - 100 |
| 1862 |  |
PAUL AND VIRGINIA ANTIQUE PHOTOGRAVURE. Copyright 1882. Shows a man holding a woman and stepping on a stone in a creek. Published by George Barrie. Size framed: 17" h., 13" w. Condition: no visible defects. | 75 - 100 |
| 1863 |  |
RICHARD BISHOP TALIOCHROME OF MALLARDS. Mid 20th c. After a 1938 original etching by Richard Bishop, this reproductive print faithfully mimics the effect of the etching. It shows Lake Erie Mallards. Size framed: 16 3/4" h., 13 3/4" w. Condition: a little yellowed. | 50 - 80 |
| 1864 |  |
ENGRAVING AFTER GREUZE PAINTING. Late 19th c. Black line engraving by F. Joubert after the 18th c. French painter JB Greuze's sentimental girl portrait entitled "Simplicity." Published by George Barrie. Size framed: 17" h., 13" w. Condition: no visible defects. | 75 - 100 |
| 1865 |  |
LUCK OF THE IRISH MOVIE POSTER, ETC. 20th c. The Luck of the Irish poster is from the 20th Century Fox production with Tyrone Power and Anne Baxter. The other poster is a reproduction of an old opera poster for Madame Butterfly. Size each framed: 28" x 22" and 30" x 24". Condition: very minor creases in the movie poster; frames are as is. | 125 - 250 |
| 1867 |  |
ISN'T IT COLD PHOTOGRAVURE. Dated 1881. Monochrome photogravure from a G. DeNithy oil painting that shows women bracing against the cold and one of them pulls a stubborn child. Size framed: 13" h., 17" w. Condition: one foxing mark in the lower border area. | 75 - 100 |
| 1868 |  |
ON THE RIVER SEINE ANTIQUE PRINT. Date unknown, probably 19th c. Color reproductive print after an Adrien Moreau painting. This shows a woman in a rowboat on the river. Size framed: 12 1/2" h., 10 1/2" w. Condition: no visible defects (mat appears new). | 75 - 100 |
| 1901 |  |
TWO ANTIQUE PRINTS. Both 19th c. One is a chromolitho entitled Autumn Recreation, which was a supplement to the Philadelphia Press (Dec. 12, 1897) and the other print is "Cupid Awake", a print after a hand touched photo (copyright 1897 MB Parkinson). Size framed each: 17" x 11" and 14 1/2" x 12" (oval). Condition: some corner creases to the Autumn Recreation print; frames are as is. | 100 - 150 |
| 1906 |  |
NATURE'S MIRROR PHOTOGRAVURE. Late 19th c. After a L. Perrault painting, published by George Barrie, this shows two young women admiring themselves in a puddle in a forest. Size framed: 16" h., 13" w. Condition: no visible defects; frame as is. | 75 - 100 |
| 1961 |  |
MATISSE FRENCH PAINTING POSTER. 2002. Offset lithograph. From a 2002 Albright-Knox (Buffalo, NY) Gallery exhibition of "The Triumph of French Painting." Size framed: 33 1/2" h., 24" w. Condition: minor scuffs to the aluminum frame. | 50 - 100 |
| 1967 |  |
SUSAN MEISEL COLORED LITHOGRAPH. 20th c. Pencil signed. Entitled "Stock Exchange" this shows a whimsical and cartoonish vision of the New York Stock Exchange. 108/300. Size framed: 50" h., 40" w. Condition: no visible defects; frame is as is, must be shipped by a 3rd party due to its size. | 100 - 200 |
| 1969 |  |
APPLETON MEZZOTINT AFTER CRIES. Early 20th c. Color mezzotint a la poupee. Pencil signed Thomas Gouch Appleton (died 1924) and in plate, after the original 18th c. Cries imagery formulated by F. Wheatley and engraved back then by many engravers. "Knives to Grind." Size: 15 1/4" h., 11" w., framed 23" h., 18 1/2" w. Condition: no visible defects. | 200 - 250 |
| 1970 |  |
DUKE CHERRIES PRINT. 18th/19th c. Single plate engraving / mezzotint colored a la poupee. "Duke Cherries" is after the painter F. Wheatley, artist of popular Cries of London imagery in the late 18th c. Size: 14" h.,10" w., framed 22 1/2" h., 18 1/2" w. Condition: two visible foxing marks lower left. | 250 - 350 |
| 2001 |  |
THOMAS HART BENTON REPRODUCTION. Shows a boy on a horse riding wildly along. Taken from the American Regionalist's tempera and oil painting. Size framed: 25" h., 31" w. Condition: the cardboard upon which this is printed is concavely warped. | 25 - 40 |
| 2003 |  |
PAIR OF FRENCH LOVE PRINTS. Offset from original hand colored engravings of La Visite Inattendue and Les Confidences. Size: framed 22" h., 18" w. Condition: no visible defects; frames are as is. | 40 - 60 |
| 2008 |  |
PAIR OF MOUNTAIN REPRODUCTIONS ON CANVAS. Modern. Photographic reproduction of oil paintings printed on canvas. Each shows idyllic western mountain scenery, done by Dina Massaroni, 1990. Size each: 13 3/4" h., 11 3/4" w. framed. Condition: no defects. | 60 - 75 |
For more information, contact: Dargate Auction Galleries Llc. Last Update 12/03/2004